The Ropewalks and Chinatown
We start and finish at Central Station. There are 3 exits from the station , take the left hand exit onto Bold St.
Parallel to this street run Wood, Fleet and Seel Streets. Each of these you will note are long and narrow compared with other streets in the city centre. These streets were the centre of the rope-making industry, for ships rigging, requiring long straight runs for its manufacture. Bold Street was named after Jonas Bold who was the lease-holder of the land in the 18th century when it was a ropery.
The lengths of the rope were measured by the street. Rope-making has disappeared, although it is remembered in the name of the district behind Bold Street - The Ropewalks.
The area now is noted for its mix of luxury apartments, bars, restaurants, shops and cultural facilities.
The old building on your left is the Lyceum
.a former gentlemen’s club which is now the "Prohibition". I like the quote from W.C.Fields "Once, during Prohibition, I had to survive for several days on nothing but food and water"
The Lyceum was built around 1800 as a News, Coffee Room and Library. The round room was the Library ,the first circulating library in the world, with some 30,000 books. There was a weather vane on its roof connected to a display inside which warned merchants and ship owner members when their ships were likely to arrive in the Mersey. Herman Melville retracing his fathers’ footsteps of some 30 years previously was taken aback by his reception here.
“I was strolling down Bold Street...Yes this must be the Lyceum ( he enters)..a gentleman took me by my shoulders and then, putting his foot against the broad part of my pantaloons, wheeled me onto the street and dropped me on the street”
Apparently he didn’t meet the dress code! You’ll receive a warmer welcome now. Go up Bold Street passing a mixture of shops. If you are hungry there is a vegetarian café nearby called “Egg”. Turn left onto a small street called Newington (Oxfam is on the corner). Look up to your left which is the back of Lewis’s department store and notice the different facia. The extensive brick built section of the building is where bomb repair was undertaken during the Blitz.
The street at the back of the building is called Cropper Street, after an 18th century ship owner who was a Quaker abolitionist and pacifist. He sent his ships to face all the dangers of privateers with no armaments and with fake cannon, so that they at least looked as if they could defend themselves.
Just over Cropper Street on the right you will see a doorway painted in purple flowers. Go up the stairs, passing a couple of unusual boutiques, and enter the room at the top. Here you will experience a very laid back atmosphere. I’m not a vegetarian but I do enjoy good, fresh food, especially at a very reasonable price and I doubt this can be beaten. Vegans are catered for as well.
The café also has a small gallery to the left as you enter and on some nights it hosts “Open mic.” poetry evenings; a good chance to experience local culture and humour.
Return to Bold Street. Note the “Ropewalks” pub sign showing the way ropes were made- the horse would walk with the thinner strands attached to it and the rope-maker would interweave them to the required length.
“Bold Street! My heart sickens at your name and well it might for not only could I not draw on that street, I could not wait on it. The sight of a ragged coat was enough to bring on a harsh “walk on”, or what was worse the most brutal application of the staff.....I drew my pictures, preferring a bloody face and abused limb to inanition and death from starvation.”
James Carling was born at 38 Addison Street in 1857. His mother died when he was 7. He was on the streets from the age of 5 with his elder brothers earning pennies through humour, skits on politicians and as pavement artists.
James became known as “ Little Chalkie” for his pavement drawings of prize-fighters. He was chased and beaten by the police being treated as a nuisance.
On Christmas Eve 1865 he was arrested at the age of 8, and taken to St. George’s Industrial School. An idea of the conditions was given by a writer in the “Liverpool Journal” The tone of the article is begrudging- why should we have to bestow largesse on these wretches- such generosity as their weekly rations;
“Breakfast...............Oatmeal porridge and treacle
Dinner..3 Days.........Pea Soup
3 Days.......Rice
Supper.....................a slice of dry bread.”
Newly admitted children’s starved stomachs often could not manage the meagre ration and took some time to adjust.
At 14, James and his elder brother Henry went to Philadelphia and received newspaper coverage for their pavement drawings. This resulted in them moving into Vaudeville as “Lightning Artists”.
In the early 1880s Harpers Magazine ran a competition, inviting artists to submit illustrations for a luxury edition of Edgar Alan Poe’s “the Raven”, and James submitted 33 illustrations. Many considered that his were the best, but the judges played safe, choosing work by the established Gustav Dore over the young artists.
Time has vindicated Carling’s work- his illustrations are proudly displayed in the Raven Room in the Poe Museum in Richmond, Virginia.
In Spring 1887 James returned to Liverpool intending to enter the School of Art. He fell ill and died in the Workhouse aged just 29 in July 1887.He was buried in a paupers grave in Walton Park Cemetery. His brother went on to become a successful artist becoming a member of the Societe de Beaux Arts in Paris and the Royal Academy of Liverpool.James is remembered in a competition for pavement artists held just off Bold St.
There is a small gallery showing some of James' work above Maggie May's cafe, which we will come to shortly.
To your right is “Reflex” bar, housed in a fine former concert hall built in 1853. If you look below the three arches which top the first floor windows you will see “Halle Des Mode”. At the back of the building is a portico designed to allow sedan chair passengers to dismount and enter without getting wet.
One of Britain’s greatest inventors was born on Bold St.- Sebastian Ziani de Ferranti. He was an electrical engineer who held 176 patents. He designed and installed the world's first electricity systems in many cities, including London. He built the worlds first electric power station in Deptford, and his grandson built the worlds first computer under the supervision of Professor F.C. Williams.
Concert St. leads to the Concert Square area.
The statue is “Reconciliation” by Stephen Broadbent. It was cast on the dividing line between Catholic and Protestant communities in Belfast, and identical statues were unveiled simultaneously in Belfast, Glasgow and here.
The theme of reconcilia
tion has been carried through with further statues based on this one, but decorated with African motifs, being sent to Benin in Africa and Richmond in the U.S.A. to mark the Reconciliation Triangle, based on the movement to heal the wounds of the Transatlantic Slave Trade.
Down Wood Street is the “Open Eye” Gallery on your left specialises in exhibitions of photography and other lens-based media. Exhibitions change regularly and have varied from the grim, haunting and yet beautiful photos of war-ravaged Afghanistan, to a nostalgic celebration of 1950’s Butlin’s holiday camp. Wheelchair access is via an external lift. There are also a number of virtual projects available on the website www.openeye.org.ukemail: info@openeye.org.uk
Tel: 0151 709 9460.
Concert Square is surrounded by bars which are lively most evenings. Late evenings, particularly Friday and Saturday the area is thronged with young people and the chances of finding a seat in any of the bars is non-existent.
The statue is the “Tango” by Allen Jones from the Garden Festival. The “Walkabout” bar is Australian themed. :
A little further on is “Wonderland”, a multi-million pound nightclub themed on the Alice adventures, quite appropriate as Lewis Carroll was born in nearby Daresbury.
At the end of Concert St, is Seel St.
If you are here during the Mathew St. Festival, you might want to check out the Beatles Art Exhibition at the Liverpool Academy of Art, housed in an old paint factory at 36 Seel St. There are also exhibitions by mainly local artists during the rest of the year. See www.la-art.co.uk
Retrace your steps, cross Slater St. onto Parr St.
On your left is 3345, a bar and restaurant attached to a recording studio. Some top bands record here- you may be surprised who’s in the bar!
Return to Bold St and walk up to “Quinny’s”, an African restaurant. Usually you can hear music playing so if you want a lively atmosphere and good food go downstairs
Continue up Bold Street to Jeff’s, shop., an award-winning boutique known locally as the “Harrods of Liverpool” albeit on a much smaller scale. The walls of the changing rooms use solid pine from my old school, Tiber Street. Upstairs is a room full of outfits for that special occasion and a Victorian Tea Room for morning coffee, lunch and afternoon tea. As you enter the shop there is a 260 year old, 40 foot fresh water well; throw a coin in and make a wish.
Another good value for money place to eat is Maggie May's cafe with the James Carling Gallery above.
Retrace your steps and turn left onto Slater St.
“The Palace” on both sides of the street has a bohemian mix of shops.
A little further on is the Jacaranda where the Beatles played. You will see some memorabilia on display.
Notice the large school photo of the Liverpool Institute and spot Paul and George’s smiling faces. For British visitors you might also see if you can pick out the newscaster Peter Sissons.
Make sure you visit the cellar bar to view John Lennon’s and Stuart Sutcliffe’s murals. When you come out of the Jacaranda continue along Slater Street. and you will see “the Baa Bar” which has a link with the past built onto the wall.
There is an advert for “Ropes, Twines, Paper, Hessian, Wadding, Engine Waste, Flags. The bar next door, Korova is fashionable and has some good acts on. Turn left onto Seel St.
St. Peter’s Church was the oldest Catholic church, opening in 1788.It is now stylish Alma de Cuba, retaining the church’s features. Take a look inside or stay for bar or restaurant food.It's well worth a visit on Sunday afternoons when there an excellent Gospel choir performs.
At the top of Seel St. is Back Colquitt St.
Note the theatre, The Masque. Before going in walk a little further to Colquitt Street to see the frontage, the palladian former home of Thomas Parr, the banker.
The house was attached to Parr’s warehouse, a common arrangement in the early 19th century.
The premises were later taken over by the Royal Institution the name is still visible above the door. The Theatre was originally used for Royal Institution lectures and many famous and distinguished people, have lectured here. Audobon held his first art exhibition here.
You could ask a member of staff if you could see into the theatre. This is yet another historic building now used as a bar and live music venue.
The Masque has three performance areas, including the 200 seat Victorian auditorium which was used by Charles Dickens.
The Masque has its own internet radio station:
www.masquevenue.fsnet.co.uk
email: info@masquevenue.co.uk
Tel: 0151 708 8708.
Colquitt St. leads back to Bold St.
There are a number of bars here. The Tea Factory building houses a Revolution bar and "Chaya" a Thai restaurant and bar, with reasonably priced food.
The main attraction is FACT the UK’s leading organisation for the support and exhibition of film, video and new media projects. It houses three state of the art cinemas, two media lounges dedicated to the moving image with works . or projects new to Britain.
There is also a media lounge where you can watch a range of new artists on DVD. FACT has a café and a bar.
Address: 88 Wood Street, Liverpool L1 4DQ.
Websites: www.fact.co.uk and www.picturehouses.co.uk
email: info@fact.co.uk Tel: 0151 707 4450.
Ropewalks Square has five circular columns represent Liverpool and its four twinned citiesBS111: Odessa, Shanghai, Cologne and Dublin.
The £60,000 sculpture by Clive Gillman has a computer program that scans the internet for news of each city and automatically displays them. Just past the columns the big fruit and vegetable stall may look a little out of place This is another Liverpool institution. The Christian family have been selling their fruit and vegetables from the street for many years-Lizzie Christian sold flowers outside Central Station in the Sixties.
Even with the fashionable bars and art centres it was felt the tradition had to continue. The produce is very good and the prices are excellent.
Soul Café is worth a visit especially if you like soul music as it has its own radio station. The food is always good (they even offer Soul Scouse!) and the walls are decorated with pictures from the Motown era.
Coffee Union is near the top of Bold Street and makes a pleasant change from the standard coffee chains.
ST. LUKE’S CHURCH
At the top of Bold Street is the structure of St. Luke’s Church whose internal structure was destroyed by an incendiary bomb during World War ll. It has been left as a memorial to the blitz on Liverpool. On your left as you enter the Church gardens is a sculpture for the victims of the Great Famine
by Eamonn O’Doherty. It is flanked by two plaques, the one on the left in Gaelic, the right in English. I have reproduced here the words on the English plaque, since the plaque is sited so low, and the words are so tiny that I doubt any visitor ever reads them:
“Coinnich cuimhne ar an Gorta Mór 1845-52.
Remember the Great Famine 1845-52.
“Between 1845-52 over one million Irish people died from starvation
and disease. A further one million emigrated. Ireland remains the
only country in Europe where the population today is less than it
was in 1845.
The causes of the famine were rooted in earlier centuries.
Following colonisation the English authorities divided the land
between a small number of landlords. By the 1840’s large
numbers of the dispossessed lived in extreme poverty. When
their staple crop, the potato became diseased in 1845 it was catastrophic, and famine continued for nearly a decade. The
authorities offered little assistance. Hundreds of thousands
emigrated every year. Between 1849-52 1,241,410 Irish
emigrants arrived in Liverpool. With no help from government,
relief was provided by the town through local rates. Many Liverpool
citizens gave generously to help the sick and starving.
In St. Luke’s parish alone over 7,000 paupers were buried in
mass graves. Thousands more were buried in surrounding
parishes. Amongst the victims were many who worked to help
the sick, including Catholic and Protestant clergy, Christian
Brothers, doctors and nurses. From Liverpool hundreds of
thousands of Irish emigrants dispersed to destinations around
the world. The descendants of Irish emigrants who remained in
Liverpool have made a distinctive contribution to the multi-cultural
heritage of the city. They include people from all walks of life in
particular dock work, medical, education, religion, commerce,
sport and the arts. This sculpture is dedicated to the memory of
all the Famine emigrants. Let us acknowledge their suffering.
Let us continue the work of helping those displaced by famine
and disease in many parts of the world. Let us dismantle those
systems which still cause suffering.”
The English do not understand why the Irish felt such bitterness to them for the Famine, and for its aftermath. This is partly because of ignorance- the Famine is barely covered in English History, and it is portrayed as a natural disaster, and if it was anyone’s fault it was the Irish’s.
Lets look at a little history to gain a clearer understanding of what happened to the forbears of many Liverpudlians.
To begin lets look at the extent of the disaster.
The 1841 Census recorded the population of Ireland as 8,175,124, (England and Wales’population was 15.9 million) The Irish figure may understate the true numbers by up to 25% as not everyone wanted to help the Census takers!
By 1851 the numbers were 6,552385.( If the natural rate of increase had been maintained the population would have been over 9 million.)
If we just take the actual figures, it shows a minimum population loss of over1.6 million.
The true figure could be as high as 3.6 million people.
Nobody knows how many died in the Famine, since some managed to escape, to Liverpool. North America, and the Colonies. Transportation to the Colonies was still a criminal sentence at the time so a number committed crimes so that they would be “sentenced” to be saved from starvation.
Whatever the numbers, they were not enough for the Government as outlined by their Economic Adviser;
“I fear the famine in Ireland (of 1848) would not kill more than a million people and that would scarcely be enough to do much good”
Nassau Senior.
In 1801, the Act of Union, in theory at least brought Ireland into the same kind of relationship with the British Government as Scotland and Wales. I won’t dwell on this except to say this meant that by the time of the Famine, the British Government had been “their” Government for over 40 years. It would seem reasonable to suggest that the Government would treat the Irish as they would any other citizens.
There had been other potato blights in Europe and people had suffered, but nothing like the Great Famine.
The reasons why so many starved to death can be traced to the policies of the British Government who had forewarning after forewarning that disaster would result from their policies.
Between 1801 and 1846 there were 114 commissions of enquiry, and 61 Special Committees, all of whose reports prophesied disaster. The Government response? Appoint another enquiry
There were a number of reasons why Ireland was so vulnerable;
- the application, over centuries of the Penal Laws, imposed on Irish Catholics to try to force them to give up their religion by depriving them of a host of rights- To education either at home or abroad, to intermarriage, to hold public office, to possess arms, to trial by jury. Catholic property was inherited equally by each of the sons, which meant over the generations that landholding became less and less viable. Protestants could choose who inherited, and if a Catholic father had say eight sons, one of whom became Protestant, then that son would inherit all the property automatically, and his brothers would receive nothing.
- Absentee landlords, who had no social connection with there tenants, and who saw them just as a source of income. This also meant that the money from the rents was spent outside the country, estimated at £6,000,000 in 1842 (over £100million in today’s terms).
- the landlords agents who were required to produce a financial return, come what may.
-rapid population growth, so that the potato had to be grown exclusively, because it was the most productive crop.
- lack of legal rights to their rented land- if a renter had a good year and improved his land then the landlord could take over the improved land, at will. There was a massive disincentive to invest.
There was one area of Ireland where this did not apply- Protestant Ulster.
- The Hanging Gale- the gale being the rent an incoming tenant had to pay. Often the land was so degraded that the new tenant had to spend to improve it, so often the gale was suspended for a period of time- which meant that it was a constant threat to their tenure.
Edward Wakefield, an economist commented
“The hanging gale...one of the great levers of oppression.. the lower classes are kept in a kind of perpetual bondage...this debt hangs over their heads.. and keeps them in a continual state of anxiety and terror.
As John Stuart Mill wrote
“In Ireland alone the whole agricultural population can be evicted by the mere will of a landlord either at the expiration of a lease or, in the far more common case of their having no lease at six months notice. In Ireland alone the bulk of a population wholly dependent in the land cannot look forward to a single years occupation of it.”
A German, Kohl, who visited Ireland before the Famine commented;
“I used to pity the Letts in Livonia......Well pardon my ignorance. Now I have seen Ireland it seems the poorest among the Letts, the Estonians, and the Finlanders lead a life of comparative comfort”.
As hinted above religious divisions were also a factor behind the Governments attitude to Ireland. Until the Catholic Emancipation Act of 1829 Catholics were forbidden to hold public office .So even though successive governments had ignored so many warnings, when the Famine happened no doubt all the resources of the richest country, and richest Empire would be thrown into saving the starving?
Well, no- in fact as the Famine progressed food was allowed to be exported from Ireland !- no doubt in hope of exceeding the numbers advocated by the economic adviser quoted earlier.
The official line was represented in wider society- newspapers of the time talk about the starving people as if they were unworthy of aid, almost as if they wanted to be dying. Some aid was given, but it was little, late and Sir Charles Trevelyan was the English civil servant responsible for administrating British Relief policy during the Famine. He saw mass starvation as a wonderful, even God-given event. In his book “The Irish Crisis” he wrote that the Famine was;
“... a direct stroke of an all wise and all merciful Providence... the idea of a sharp but effectual remedy by which the cure is likely to be effected had never occurred to anyone.”
He was given a K.C.B. for his services in Ireland.
Frederick Douglass visited Ireland in 1846.
“I supposed that much that I heard from the American press on this subject was mere exaggeration resorted to for the base of impeaching the character of the British philanthropists, and throwing a mantle over the dark and infernal character of American slavery and slaveholders….of all places to witness human misery, ignorance, degradation, filth and wretchedness, an Irish hut is pre-eminent”
This from a man who had experienced first-hand all the miseries of being a slave, who had escaped and who became a major campaigner against slavery.
All the above qotes are from "The Great Hunger" by Cecil Woodham Smith.
T B McManus, an Irishman who moved to Liverpool and became a successful businessman attempted to raise a military force in 1848 to overthrow the authorities in Ireland. He led the Young Irelander movement but the desperate people could not lend him much support and McManus and other leaders were arrested and tried for treason. The judgement was
“The sentence is that you will be taken hence to the place from whence you came, and thence be drawn on a hurdle to the place of execution; that each of you be there hanged by the neck until you are dead, and that afterwards the head of each of you shall be severed from the body, and the body of each divided into four quarters, to be disposed of as her Majesty may think fit. And may Almighty God have mercy upon your souls”.
The sentence was commuted to transportation to Tasmania, while of the others arrested 8 were given sentences ranging from three months to two years imprisonment,1 was acquitted and 6 were not prosecuted.
McManus later served as a Brigadier General in the U.S. Army. He died in California and was originally buried there. Years later his body was moved to Glasnevin Cemetery in Dublin and the funeral was attended by thousands of mourners.
Saint Anthony’s church, in the Scotland Road/ Dryden Street area was built in 1804 by Jean Geradot, who had escaped the French Revolution. In 1847 alone 120,000 Irish Famine victims landed at the Clarence Dock, most of whom did not speak English as they were from the Gaelic speaking West. A
s well as starvation 60,000 were suffering from Typhus and 40,000 from Dysentery. 8000 died in just one year and many of them were buried in the Vault of St. Anthony’s. The Crypt is an interesting place to visit, and the Study Centre and computerised Parish Records helps to trace family records
St. Luke’s Tower saw Liverpool join in an international ceremony - “the thousand paper cranes.” In the Second World War, a two year old girl Sadako Sasaki lived near Hiroshima.
As she grew older she became keen on athletics. At the age of eleven, preparing for an important race, she fell ill. She was diagnosed with the “atom-bomb disease”, leukaemia.
There is an ancient Japanese legend which says that the gods will grant a wish to anyone who prepares a thousand paper cranes. She completed over a thousand, and continued right up to her death, aged twelve.
Her courage inspired others to raise funds for a memorial for Sadako and the other children killed by the atom bomb.
It now stands in the Hiroshima Peace Park, topped with a statue of Sadako holding a golden crane and inscribed with the children’s’ wish:
“This is our cry
This is our prayer
Peace in the world.”
The thousand paper cranes that danced around St. Luke’s Tower forge a link with Sadako and mark the intention of turning St. Luke’s into an international peace centre.
The cranes also echoed a strange phenomenon during World War 2. It was noted that flocks of birds would circle through the smoke of burning buildings- it was thought that the smoke killed parasitic insects on the birds.
Behind the Church are the stables and coachhouses of Rodney Street, dating back to 1780. Most are now used as garages. but a couple have been converted into accommodation.
Walk along Berry St. towards the Chinese Arch. On your right is Seel St. with the Blue Angel Club,which was owned by Alan Williams, aka “the man who sold the Beatles. The Plaque on the wall marks this as Dr. Duncan’s birthplace The Euro-Wines shop hides a little surprise-It is owned by Grace Liu, who leads the Liverpool Cantonese Opera Society, whose 16 members perform Chinese Opera across Europe. Continue along Berry Street to the Chinese Arch the largest outside China. standing at the entrance to the oldest China Town in Europe.
The Arch was made in Liverpool’s twinned city, Shanghai
and assembled by craftsmen from China in time for the Chinese New Year in 2000.
The ancient art of Feng Shui was applied to determine the exact position of the Archway as well as deciding on the colours and type of decoration. The wooden and marble structure is adorned with 200 dragons in a mixture of golds, reds, greens and Chinese royal yellow.
The Archway is nearly 49 feet/15 metres high and the central marble block weighs 550 lbs/250 kg.
Note that the street signs and even one or two pubs have their names displayed in Chinese as well as English.
If you walk along Berry Street (with the Arch at your back) you will find the Far East Restaurant. It was opened by Kwok Fong who was born in Canton in 1882.
He was originally a sailor, and opened a laundry in Liverpool , whilst at the same time acting as an advisor to Chinese sailors. His laundry was bombed out in 1941, so he opened the Far East and its been going strong ever since
There are over twenty other Chinese Restaurants within five minutes walk of here. If you want to go a little further afield there are three I would also recommend: The Chung Ku, on the banks of the Mersey, with great river views. It’s just behind the Jaguar dealership on Sefton Street, a continuation of the Strand. As well as the normal range of Chinese dishes prepared for the English palate, it offers authentic meals for the Chinese.
Address: 2, Columbus Quay, Riverside Drive. Tel: 0151 726 8191
The Tai Pan Restaurant on Great Howard Street is a little way out but worth finding, again favoured by the local Chinese population. It is situated above a Chinese supermarket. Tel: 0151 207 3888.
If you visit Birkenhead there is an award-winning restaurant, The Capitol, just off Hamilton Square at 24 Argyle Street. Tel: 0151 647 9212.
.The Liverpool Chinese Community is the oldest in Europe. The first immigrants arrived in Liverpool with the establishment of a steamer service by Blue Funnel Shipping.
Some Chinese sailors based themselves in Liverpool, and naturally chose to live near to the Docks. Sailors might stay from 2-4 weeks waiting for their next ship and so began to establish relationships with the locals.
The Chinese came not only from China but from Malaysia, Indonesia and other parts of the Far East providing a cultural variety..
There are also significant numbers of Overseas Chinese studying at Liverpool’s three Universities. Wherever they live they look to Chinatown as the centre of their community.
Chinese New Year is celebrated every year around February with streets being sealed off to allow 100,000+ revellers to enjoy some fruits of Chinese culture.
These include Dragon Dances, firecrackers, Chinese Orchestras, Tai Chi demonstrations and talks about customs.
Tucked away in Henry Street is the Pagoda Centre providing a school, a nursery, youth orchestra and a newspaper. There are Chinese characters carved into the brickwork which translates as:
“Youth is like the morning sun, rising up
One breath breaks the darkness and solitude.
Full of warmth strength and light
Let us go together and celebrate”
On a darker note, following the end of the Second World War a number of a Chinese sailors were rounded up by the police and deported. These were sailors who had run the same risks as the rest of the Merchant Navy. Many were married to Liverpool women. and had children.
There was no judicial process, no possibility of appeal. Fifty years later some of their children are still trying to find out what happened to their fathers. There have been some happy re-unions.
In 1758 John Wesley preached in the Pitt Street Chapel.
The imposing building, next to the Arch is the former Great George Street Congregational Church. It was built in 1840/41 on the site of a church destroyed by fire. In its time it was regarded as one of the finest classical buildings in town.
It is now known to all as “The Blackie”.
It was cleaned up some years ago to remove the grime that gave it it’s affectionate name.
The Blackie was established in 1968 as Britain’s first community project and hosts playgroups, community groups and a cultural programme of arts workshops, youth projects and exhibitions with the emphasis on diversity.
On the right of the Blackie is Nelson Street. At number 11 lived Dr. Hugh Nelson, born 1834, who pioneered the breaking of bones that had set poorly- people thought he was mad, but it then became standard practice. His nephew, Sir Robert Jones, founded the worlds’ first orthopaedic hospital.
From the Blackie retrace a few steps to the and turn left into Duke St.
A historic street full of Liverpool characters, but we will start with an American. If you had been walking down Duke St. in 1836, you would have seen a striking looking man carrying a huge portfolio.
John James Audobon sailed from New Orleans to Liverpool to raise money for the production of his dream- a book to feature all the birds of North America. He had been unsuccessful in raising funds in America, and he trudged the streets with only a few pounds in his pocket, and with trepidation in his heart.
Fortunately for him and for us, he had a letter of introduction to William Rathbone a member of a distinguished family of merchants and philanthropists, who warmly welcomed him into his family home and helped him to raise funds.
He was a frequent visitor to Greenbank House. and painted a self-portrait, “Audobon at Greenbank, almost happy”.
Some of his paintings and sketches are in Liverpool University Art Gallery and a complete copy of “Birds of North America” is in the Central Library.
His first Exhibition was held in the Royal Institution, which we passed earlier. Audobon went to world-wide fame and the Society founded in his name is now amongst the largest wildlife preservation organisations in the world.
Let me tell you a little about the Rathbones. The Rathbone business was founded in 1742. It continues to this day as a massive investment company with its’ offices in the in Port of Liverpool Building.
Their family home, Greenbank is not far from Penny Lane. It was built in 1815 and its wrought iron balconies are believed to have influenced American architecture.
Generation after generation of the men of the family were named William Rathbone, so I shall simply call them by number.
The first William set up a modest sawmill. The second and third were founder members were founder members of the Society for the Abolition of Slavery.
The fourth(1787-1868) was an M.P. and social reformer who advocated a national system of poor relief. He laid the foundation stone of St. Georges’ Hall.
The fifth‘s(1819-1902) wife became chronically ill and he employed a nurse, Mary Robinson to care for her. His wife died in 1859, and William decided that every sufferer should be able to have the same care.
He introduced nursing care into the Workhouse with Agnes Jones and training of District Nurses with Florence Nightingale.
These nurses did not just care for the sick, but also gave advice on care, sanitation, and health. He funded the District Nurses at his own expense, and funded the Training School, and Nurses Home on Princes Road, in conjunction with the David Lewis Trust( of Lewis’s Stores).
Now to a distinguished woman of the family. Eleanor Rathbone 1872-1946) led a sustained campaign for support for the poor,
In 1924 she wrote “The Disinherited Society” in which she detailed the problems of poverty, and in particular, the need to provide an income to the family. After over 20 years of battling she succeeded with the introduction of Family Allowance in 1945.
She was the first woman councillor in Britain, and the first woman Minister of the Crown. She was one of the first M.P.s to warn of the threat of Hitler’s’ rise to power and she worked tirelessly on behalf of refugees.
“No-one who did not have the privilege of working daily with Eleanor Rathbone can have any conception of what she did for refugees in general, and Jewish refugees in particular.”
Victor Gollancz.
Let’s move back in time. Captain James Baines was born above his mothers shop at 185 Duke Street, and he and Bully Forbes formed the Black Ball Line, with a fleet of clipper ships. He was the inspiration for the “Onedin Line” stories. One of
his ships was the “James Monro”, named after the American President, hence the name of the gastro-pub at number 92. This is one of our favourite places to eat when we want good food at a reasonable prices. We are on their mailing list at www.themonro.com because they often give subscribers excellent offers. The house organic wines are good value too.We've never seen the ghosts that are said to haunt this pub!
Before the pub was built this was home to a horse and carriage hire business run by Peter Tyrer. One customer complained each time he hired a carriage that it was poorly sprung and hence uncomfortable. When he ordered another carriage, Tyrer sent him a hearse.
When the customer queried this Tyrer said he thought this must be his most comfortable carriage as none of its users had ever complained!
153 Duke Street was Mrs Blodgett’s Guest House where Nathaniel Hawthorne, author of “The Legend Of Sleepy Hollow” , stayed when he first came here.
The Japanese restaurant Sapporo Teppanyaki at 134 is recommended for a night out- the chefs are entertainers as well as cooks. The Italian restaurant next door, There are also Mayur, the Indian restaurant, Savina, Mexican and Il Forno, Italian restaurants, none of which I have tried.
118 Duke Street was the home of the poet Felicia Hemans who was so famed in the 19th Century that visitors would come from America to see her.
Her best known poem in Britain is “Casabianca” a poem about the Battle of the Nile which begins “The boy stood on the burning deck”, the “boy” being the 13 year old son of the Admiral of the Orient. To American visitors “The Landing of the Pilgrim Fathers” may be more familiar.
Duke Street was the scene of secret training by Liverpudlian supporters of Irish Nationalism. Rose Ann Murphy and 5 other Liverpool women took supplies from the Dublin Mountains to O’Connell Street during the Easter Rising in 1916
The Union Newsroom at number 105 Duke Street was the first public library in Britain, and was named for the Act of Union( with Ireland) 1801.
It is now the Head Office Of Bibbys, which started as shipping line 200 years ago and now has additional interests
The last duel fought in Liverpool involved Colonel Bolton who lived at 116 Duke Streets( between Suffolk and Kent Streets). A Major Brooks who had been refused a pay increase by the Colonel spread malicious gossip about him, and continued to do so despite warnings and the urging of his friends.
The duel was fought at Pembroke Place and Brooks was killed. Although this was murder in the eyes of the law, the Colonel was never charged.
The Arena Galleries at 82-84 Duke Street has some 55 artist members including Amanda Ralph, described as “the poet of the discarded” by Adrian Henri.
John Bellingham lived at 46 Duke Street. His claim to fame is that he is the only person to succeed in assassinating a British Prime Minister.
On a voyage to Archangel, he fell afoul of the Russian Government. He sought help from the British authorities and was eventually allowed to return to England. However he felt the Government had not done enough to help him and he continued to petition for redress.
Still unhappy he waited in the lobby of the House of Commons on May 11th 1812 and as Prime Minister Perceval passed he shot him dead. He was tried and executed within a week. There was some evidence of insanity in his family but this was ignored.
The guns that fired the first shots of the American Civil War were made here, at the workshops of Fawcett and Preston on York Street.
John Howard lived on Duke Street when he prepared his “Report on Prisons”, after visiting many prisons in different parts of Europe. He had been shocked by the fate of French prisoners of war in the Tower.
Turn left onto Campbell Square.
Jalons Bridewell is a pub and restaurant incorporated into a historic police station and gaol- you can even have a drink or a meal in one of the old cells.
Charles Dickens
was deputised as a police officer here before he braved dockland for his research.
It has not been a Bridewell since 1932, but has gone through a number of incarnations, including in the 1980s’ as a rehearsal room for local bands like “Frankie Goes To Hollywood”, and “Echo And The Bunnymen”
According to Hughie Jones of the “Spinners” the legendary “Maggie May” could have been a real person who lived at 17 Duke Street, in living memory.
Sarah Biffin lived at number 8 Duke Street. Sarah Biffin - born without arms, standing just thirty seven inches tall, nevertheless became an accomplished painter using her mouth and a specially designed shoulder strap.
Her work hung at the Royal Academy and she was awarded a Society of Arts Medal. She was so famous in Victorian that Dickens includes references to her in both "Nicholas Nicklelby" and "Martin Chuzzlewit".
At the end of Duke St. turn right onto Hanover St, and right again onto Gradwell St. towards the multi coloured spheres up in the air.. This is “Penelope”
by Los Angeles based sculptor Jorge Pardo has giant stalks, a reference to the ropewalks.
The name of the statue is a reference to Odysseus’s Penelope waiting for his return, like many a local wife or mother waiting for their loved one to return from their own Odyssey.
The Nation Club behind the statue was the birthplace of Cream.
Return to Hanover St. The Hanover Hotel prides itself on authentic local dishes, including Scouse,
On your left is a little gem of a theatre, the Neptune.The local council dedicated this to the memory of Brian Epstein.
At the end of Hanover St. you are back at Central Station.